The Redskins did a month of Sundays ay the Mean Fiddler in 1986 with a great mix of turns. Great gigs they were too. This review is from the NME, 12 July, 1986. The Housemartins sneak in as Fish City Five.
Harlesden Mean Fiddler
Young, girted and bald was the aim. On the revue’s second night the result was a combination of two, but never all three. Buster Bloodvessel came close. That rotund rascal of drollery, with a little help from his friends, rip-roared his immense proportions through ‘Monster Mash’. ‘My Boy Lollipop’ and more. The Troubleshooters, perverse in the presence of dogma, saw Debbie (Dolly Mixture) don a monstrous wig for their camped-up journeys through the Abba and Madonna songbooks. Seething Wells spouted furiously in a scathing attack on the life and times of Laura Ashley. Why her you may ask. Why indeed? A true contender if only he’d had a haircut.
Wendy May’s sizzling Locomotion sounds kept all alive and kicking, in striking contrast to Lol Coxhill, whose 15 minute homage to Jnr Walker rated as a wonder-cure for insomnia!
Not forgetting the mighty mouth on the loudhailer who led the Redskins through their stomping favourites, ‘Kick Over The Statues’ et al. And a well splendid night was rounded off with some accapella combo by the name of Fish City Five. In fact there was only four of them. , but their harmonies weren’t half bad, especially on some ditty called ‘Happy Hour’ which sounded sort of familiar. One of them launched himself into a ranting preach about Jesus, Karl Marx and himself in the same bed (with clean sheets, of course)! What a strange bunch. Perhaps they’ll be famous one day.
Maybe it was the rumour that Paul Weller was to appear, or perhaps Tom Watt (chump Lofty from East Enders), that drove the hordes on mass to Harlesden for this Artists Against Apartheid benefit on the fourth night. With its Brechtian overtones, the climax of the Redskins revue proved a resounding success.
Angus and Toby from Test Dept. swapped their metal objects for bagpipes and calmed a packed frustrated crowd, unable to move to Stuart Cosgrove’s and Steve Caesar’s fast and furious vinyl funk. The Redskins began their set of covers with ‘Levi Stubbs’ Tears’, and were closely followed by the man Bragg himself. He soon had the audience whipped up a storm with ‘Chile Your Waters’, and ‘A13’, for which he was accompanied by stalwart Wiggy.
And the grand finale, ‘Winds Of Change’, as performed by the Redskins, Dammers, Bragg and others, baldly established the common bond.